Sermons
“Love-vines” based on Isaiah 5:1-7
I’m told it takes years to build a vineyard, and it takes pretty choice land as well. Vineyards need sandy or loose soil, they need lots of sun by day and dew at night. Israel exists in a desert climate so building a vineyard there means that access to enough water would be imperative too. The work of building a vineyard is physically demanding, requiring people to work together. In Israel, big boulders need to be moved (they’re a regular feature of the land), walls and towers have to be built to to protect the space from predators and thieves, and a ditch had to be dug around the wall. The land needed to be hoed by hand – plowing wouldn’t do, and that was hard work too! Wine presses had to be made as well, and in Biblical times they were made by hewing out those large boulders!1 (Imagine!) And then, grapevines don’t produce fruit until their 3rd season.
Vineyards are hard work, and big investments. Both now, and in Biblical times, not just anyone can afford to support land that wasn’t producing for 3 years, not to mention paying people to do the heavy lifting and hard labor in the meantime! The act of domesticating the land in order to produce domesticated grapes is intense.
From the earliest examples of literature, vineyards and gardens have been used to talk about fertility, love, and sex.2 The metaphors are pretty easy to follow, and I’m guessing you don’t need explanations. Furthermore, grapes are a common symbol of fertility – likely the threefold combination of the clusters of grapes themselves giving expression to the idea of MANY, the impact of drinking wine, and the human eye’s enjoyment of curvy things all had impact in that! The Bible regularly uses vineyards as metaphors of sexuality as well. (The Bible also regularly acknowledges the horror of planting a vineyard and not being around to enjoy the fruits of your labor!)
It is interesting, though, isn’t it? Vineyards and gardens are intentional growing places, domesticated to allow for optimal growing conditions and care. That they become common symbols and allegories for human fertility is a bit ironic, as most of the mysteries of human fertility were unknown to the ancients and many are still unknown to us. The choice of the symbolism itself suggests humans wanting to have more control over sexuality and fertility than they do!!
Let’s look at a few of the places that the Bible intentionally connects the ideas of fertility/sexuality and vineyards. One comes from Deuteronomy 20:5-7:
Then the officials shall address the troops, saying, “Has anyone built a new house but not dedicated it? He should go back to his house, or he might die in the battle and another dedicate it Has anyone planted a vineyard but not yet enjoyed its fruit? He should go back to his house, or he might die in the battle and another be first to enjoy its fruit. Has anyone become engaged to a woman but not yet married her? He should go back to his house, or he might die in the battle and another marry her.”
While these are three separate ideas, they are also three interconnected ones, and I believe the order is intentional. The metaphors are most striking in Song of Songs:
My mother’s sons were angry with me; they made me keeper of the vineyards, but my own vineyard I have not kept! (1:6)
My beloved is to me a cluster of henna blossoms in the vineyards of En-gedi. (1:14)
Catch us the foxes, the little foxes, that ruin the vineyards— for our vineyards are in blossom.” (2:15)
Let us go out early to the vineyards, and see whether the vines have budded, whether the grape blossoms have opened and the pomegranates are in bloom. There I will give you my love. (7:12)
Solomon had a vineyard at Baal-hamon; he entrusted the vineyard to keepers; each one was to bring for its fruit a thousand pieces of silver. My vineyard, my very own, is for myself; you, O Solomon, may have the thousand, and the keepers of the fruit two hundred! (8:11-12)
There is a lot of vineyard imagery in this relatively short book, isn’t there? Now, I should have been clearer about the metaphor, the vineyard/garden is usually used as a reference for FEMALE fertility.
Which is why the opening line of today’s passage is so very interesting. It sounds like a female voice to begin with, her beloved’s vineyard might first be assumed to be HER. “Let me sing for my beloved my love-song concerning his vineyard: My beloved had a vineyard on a very fertile hill.” Love and vineyards, not only do they classically work well together, they create a well-known direction to start off this passage. It is a love song with a vineyard motif. That’s a genre anyone can follow. It would be reasonable for the hearers to assume that we are going to get into some more Song of Songs like stuff!
The text goes on to explain that all the appropriate care has been given to the vineyard: all the hard work has been done. Boulders were cleared, vines were planted, a watch-tower was built, the wine press was dug out of stone itself, and it is implied that even the wall had been built. But the vineyard didn’t produce what was expected. With all that work, the vineyard owner would be expected some great wine – and, um, love.
Instead, only very seedy, un-juicy wild grapes emerged, perhaps the same kind that were growing the vineyard before the work was begun. That’s wrong! It isn’t supposed to go that way. All the hard work is supposed to produce something! In fact, it is supposed to produce something wonderful: domesticated grapes! Which are good for food directly, for food as raisins, for a sweetener AND for wine. After all, that’s why people go through all the work of the vineyard building: it is supposed to be worth it.
In this metaphor, supposedly about love, the vineyard owner decides to give up, and allow the wild to reclaim the vineyard. Connecting it back to the opening verses, it seems possible the “vineyard owner” is divorcing his wive because of her lack of fertility with him. The act of domestication had failed in this vineyard, and the vineyard owner isn’t intending to put more effort into it. No more work! The wall and the protective hedge will be destroyed. No more weeding! No more pruning! No more hoeing! And no more rain….
Which is the point when we are supposed to figure out this isn’t just a weird story about the wrong crop growing up. Normal vineyard owners don’t control the rain. This is when it becomes clear that this metaphor is about God and the people. This is when the text gets super confusing about who the one who calls God her beloved is too, but I don’t have a single answer for that. (Feel free to come up with your own answer.)
The final line of our text is the prophet Isaiah interpreting the song/story that has just been told. It feels a bit like a parable of Jesus that comes along with interpretation. The prophet explains, “For the vineyard of the LORD of hosts is the house of Israel, and the people of Judah are his pleasant planting; he expected justice, but saw bloodshed; righteousness, but heard a cry!” (5:7)
Now, the explanation doesn’t go quite as far as the metaphor does! The story ends with a suggestion of destruction, leaving us waiting for a declaration about exile! Yet, the interpretation just explains how the Israelites were supposed to be different, and aren’t. They were meant to be God’s dream for goodness in the world, but they’re just like the rest of the wild grapes. They have been domesticated: tenderly cared for and loved, but that hasn’t impacted what has grown from them. Instead of behaving with God’s justice and extending God’s love by caring for the poor, the widows, the orphans, the foreigners, and the vulnerable, the people of God have refused to participate in justice. They’ve rejected mercy for each other, and can’t call themselves righteous. The text talks of cries and bloodshed, suggesting that the ways people were being mistreated weren’t trivial: they were matters of life and death. The lack of justice meant the most vulnerable people were dying.
The people of God were acting like the wild grapes, the ones that hadn’t known tender love and care. They were receiving what God gave to them, but not letting it impact how they treated others.
This wasn’t God’s dream for the people. God planted justice and righteousness, but it didn’t grow. Rev. Paul Simpson Duke, currently copastor of First Baptist Church of Ann Arbor and Campus Minister for the American Baptist Campus Foundation at the University of Michigan, along with his wife, Stacey wrote in a commentary, “Any good news? Well, it is a love song. It ends badly. Has God stopped planting vineyards or restoring ruined ones? The bad news is that we can still be useless and a lethal danger to the world and to ourselves. The good news is that Someone still sings, plows, plants, guards, and looks for good fruit. In this is enough hope to set us humming bits of the song at least, and living toward its true ending, Love’s own harvest, sweet justice, festive righteousness, a cup of joy in the lifted hands of all.”3
It turns out that the use of the vineyard imagery wasn’t accidental, nor was the opening line claiming to be a love song! The love song part seems a little bit Country-Western, in talking about how the beloved did the person wrong, but it is still a love song. In truth, historically, there was an exile, but there was also a return. The vineyards around Jerusalem were destroyed, and later rebuilt. God’s work in the world certainly continues, even if it is a source of IMMENSE frustration to God that we KEEP ON missing the memos on justice, righteousness, and treating each other like we matter! “Someone still sings, plows, plants, guards, and looks for good fruit.“ God may well be tempted to give up on us every once in a while, but as we are told again and again, “God’s steadfast love endures forever.”
God is One with a long-view – longer even than than the person who thinks to start planting a vineyard. God still thinks we are fertile soil, capable of producing justice, righteousness, and a world of peace and love. May we take the ministrations of God – the planting and pruning, the protections and the watering, the hewing, and the watching over – and allow them to transform us into ever more fertile soil that may produce exactly what God wants: justice, righteousness, and love. Amen
1To my horror, the things I thought I knew about vineyards were affirmed here: Fred Wight, “Manner and Customs of Bible Lands” chapter 20http://www.baptistbiblebelievers.com/LinkClick.aspx?fileticket=TGctIUL-BsY%3D&tabid=232&mid=762. 1953, Accessed 8/11/16
2 C S Lewis, Allegory of Love Oxford (University Press 1936).
3Paul Simpson Duke, “Homeletical Perspective on Isaiah 5:1-7” found on page 345 of “Feasting on the Word Year C Volume 3” edited by Barbara Brown Taylor and David Bartlett (Westminster John Knox Press: Louisville Kentucky, 2010).
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Rev. Sara E. Baron
First United Methodist Church of Schenectady
603 State St. Schenectady, NY 12305
https://www.facebook.com/FUMCSchenectady
August 14, 2016